To Roll Softly and Carry a Big Camera
At an hour that could be early morning or could, just as easily, be high noon, I get on my bike and go. I have a route to follow, designed weeks prior in the unlikely event of just such a long lazy day of calm weather. And now I'm glad of it, because my brain is mush from the unexpected solar caresses. And my legs are mush from the too-fast ride done with a friend the day before. For the first time this year I have exposed my ankles and I feel giddy.
Cycling alongside them gingerly, I am accompanied by honks followed by enthusiastic hand waves from people I know (how did I manage to know so many people here?!), as the sun beats down on us all. And then I turn off the main road, and all signs of life disappear.
The rapeseed fields, having blossomed all at once in the week prior, look now like a spillover of sun from the sky. The earth underneath them is scorched and cracked, showing no signs of the water that flooded it only weeks earlier.
Just then a ball flies out of the field and lands on the road beside my wheel, and so I stop and pick it up. The man who hops over the fence to retrieve it pauses to thank me, then quizzes me about my comings and goings in the uniquely local manner that feels simultaneously like friendliness and meticulous intelligence-gathering. In the end he squeezes my shoulder and gives me his good wishes, warning me to be careful over the next, sharply winding, downhill stretch of road. I photograph the cricket game and get ready to take off. "Ride softly and carry a big camera, eh?" I hear a laughing voice behind me as I pedal away.